| | |  | GIFT SETS | Home » » Dark Shadows: The Beginning, Collection 1 | | | | | | | Description: | | Studio: Mpi Home Video Release Date: 08/28/2007 Run time: 890 minutes | | | Features: | |
• The Start of a Legend! Named One Of TV's Top 25 Cult Shows By TV Guide With its alluring tales of Gothic mystery and supernatural intrigue, DARK SHADOWS became one of the most popular daytime series of all time. Since first airing on ABC-TV from 1966-71, DARK SHADOWS has earned the reputation as being one of the most unusual and enduring programs in broadcasting history. The character of B
| | | Product Details: | | | Format:
| Box set, Black & White, Color, NTSC | | Language:
| English | | Number of Discs:
| 4 | | Studio:
| Mpi Home Video | | Run Time:
| 840 minutes | | DVD Release Date:
| August 28, 2007 | | Average Customer Rating:
|  based on 57 reviews |
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269 of 273 found the following review helpful:
 When it All Began, Before Barnabas!!May 12, 2007
By E. Hornaday
Dark Shadows-Beginning/Episodes 1-35
Old and new fans of the beloved Dark Shadows will finally be able to watch how it all began as MPI Home Video rolls out the first DVD Boxed Set of six of the series' very first episodes. This first DVD boxed set includes the first 35 episodes of the series.
Special features include the original commericals from the first episode, and an interview with Alexandra Moltke Isles, who played Victoria Winters, and an original Dark Shadows promo.
Creator, the late Dan Curtis, literally dreamed the series. He dreamed about a young governess riding on a train en route to a dark, strange and brooding estate. Talking over his dream with his wife and family, Curtis decided to turn it into an incredible soap opera, and the rest is history.
Dark Shadows ran on ABC from 1966 to 1971 and enjoined an iconic fan following similar to Star Trek and Batman, which also both premeired in 1966. Dark Shadows fans continue to hold annual conventions, and many of the actors have formed real and enduring friendships with the fans they've seen each year.
On this DVD boxed set, the Collins Family of Collinsport, Maine, are introduced: Matriarch Elizabeth Collins Stoddard (portrayed by the legendary screen actress Joan Bennett), who hasn't left her family's great estate, Collinwood, in 18 years because of an enormoust secret; her brother, Roger Collins (played by the fantastic Louis Edmonds), who is vain, a snob and, like his sister, hiding a huge secret; Elizabeth's daughter, Carolyn Stoddard (played wonderfully by Nancy Barrett), who is full of 1960s teen angst; Governess Victoria Winters (played by the aforementioned Alexandra Moltke Isles), a young woman who grew up in a New York foundly home and was unexpectedly and mysteriously offered her post as governess; and Roger's son David Collins (played by David Henesey), who is BEYOND troubled.
Those who live in Collinsport are also introduced in this boxed set: Collinsport Inn Waitress Maggie Evans (played by Kathryn Leigh Scott), who is Vicki's best friend; her artist father and troubled alcoholic, Sam Evans, (played by Mark Allen for seven episodes then the rest of the series by David Ford); successful businessman and Collins Family nemesis Burke Devlin (played to the hilt by Mitch Ryan), who was wrongly convicted to manslaughter and blames Roger Collins; and Collins Plant Manager Bill Malloy (played by Frank Schofield).
The series began as a gothic romance, which this first boxed set portends. But, ratings were poor and the series faced cancellation after only about six months. Dan Curtis has said that he was forced to do something drastic to try and save the show, and drastic he did: he made the series revolve around the supernatural, so he introduced a ghost.
Mr. Curtis said that every time he introduced another supernatural element he was surprized to find that ratings increased markedly, so he decided that he had nothing to lose, since the series was still facing cancellation, and went all the way --- throwing a vampire into the mix in 1967!
The vampire, Barnabas Collins, was played to perfection by classically trained actor Jonathan Frid. The vampire was only to have been a temporary character that would be killed off following a reign of utter terror, but Frid's compelling characterization of a "sensative" and remorseful Barnabas was a revelation. Ratings soared, the series was saved, and Frid became an international superstar virtually overnight.
While casual viewers are very familiar with Barnabas, many are unaware that there were wonderful episodes that preceded him. It is truly incredible to be able to watch the progression of the series in these early episodes.
The gothic elements depicted in the episodes in this boxed set remain very entertaining, long before the supernatural plots began.
The core brilliance of what has made this daytime series endure for more than 40 years (and be the only daytime drama to be released on VHS and DVD) is the real emotions and life themes it dealt with: Love, death, fear, longing, revenge, obsession, lies, secrets, loyalty and betrayal.
What made it unique among all daytime dramas is that those themes were played out against a compelling backdrop of Gothic sensibilities that eventually included the 175-year-old guilt-ridden and love-lorn vampire, seances, time travel, ghosts, mystery, murder, intrigue and a constant dose of the unexpected.
This "soap opera" managed to transcend its genre by bringing a taste of Gothic horror and science-fiction fantasy to the hum-drum world of the afternoon drama.
But, it was the stellar repertoire cast that made it all work, because they played it straight, and gave some of the most incredible performances ever captured in daytime, and did so under the pressure of the series being virtually produced live!
The series has too many memorable moments to mention. For me, I still remember the beginning voiceover by Alexandra Moltke Isles of the very first episode, released on this set for the first time on DVD:
"My name is Victoria Winters. My journey is just beginning. A journey that I hope will open the doors of life to me, and link my past with my future ... A journey that will bring me to a strange and dark place, to the edge of the sea, high atop Widow's Hill to a place called Collinwood ... A world I've never known, with people I've never met. People who are still only shadows in my mind, but who will soon fill the days and nights of my tomorrows."
55 of 56 found the following review helpful:
 My Name is Victoria Winters..........Aug 07, 2007
By Music Fan-atic
"Glen"
The immortal words that began a legacy of fandom for one of the most bizarre, much-loved ground-breaking gothic soap operas ever made....it became most known for one of the first horror/fantasy series to introduce the idea of a guilt-ridden vampire, a tragic hero that broke ground for those who followed...like the popular Angel character in the Buffy series.
Herein lies the more maligned, first year of the soap which was only in its barest means, a gothic soap made in the image of Jane Eyre....volume one begins with the first 35 episodes or seven weeks of the show, beginning with the arrival of young orphan cum governess in Collinsport, a strange Maine coastal town headed by the bizarre, dysfunctional wealthy Collins family. She has been commissioned to work at the ancestral home, Collinwood, as governess to the emotionally troubled ten year old, David Collins(played by David Henesy) by matriarch, Elizabeth Collins-Stoddard (played by Hollywood veteran actress, Joan Bennett)to benefit her alcoholic brother, Roger (played wonderfully by over-the-top actor, Louis Edmonds) Victoria (Alexandra Moltke)is also to be companion to Elizabeth's wild teenage daughter, Carolyn (Nancy Barrett).....these people bring a whole new meaning to skeletons in the closet! Other noteworthy characters to the cast are coffee shop waitress, Maggie Evans (the beautiful Kathryn Leigh Scott), Carolyn's boyfriend, Joe Haskell (Joel Crothers) and Sam Evans (David Ford) Subplots include the return of once falsely accused Burke Devlin (Mitch Ryan) who insists Roger Collins committed the manslaughter and the nearly psychotic episodes of the more than troubled young David Collins. Although many dismissed this early year as pointless drivel, many die-hard fans (I count myself as one!) were rabid for these early installments....there are strong character developments here and good acting....although production values are sometimes strained, lines forgotten, sets falling apart, this is an enduring classic of gothic suspense. The early episodes are a bit drawn out but I believe the stotylines that preceed the eventual addition of Dracula-like family member Barnabas Collins are a must have for all committed fans of the far-out fantasy soap.....with the fantasic prices Amazon has been shelling out on these, snatch them up now!!!
21 of 21 found the following review helpful:
Let me count the ways . . .Jul 29, 2008
By Silence
"magisterelect"
. . . in which I love thee. I am enjoying the holy hell out of this 1st collection. The very concept of a gothic soap opera is too good to be believed, but this is indeed a very precious gift from TV land, even with all faults considered. Because it is a soap opera first, which means character development is less than subtle and the most banal concepts are often regurgitated. But you will learn to appreciate it for what it is, and please consider the way in which this material was originally delivered (5 days a week for the season), not the way I choose to view it (in marathon sessions). No doubt, these film and theater actors struggled on a daily basis with live taping of scripts for which there was minimal preparation or rehearsal. There are many acting and production gaffes, but that just adds to the charm. What keeps me so attached is the personal charisma of the principals. Long after you've grown weary of the big deal about Burke Devlin you'll still get a kick out of Mitchell Ryan's portrayal. You might also lose yourself madly in the brunette tresses and innocence that is Victoria Winters. The opening voiceovers range from dark campy goodness to the profound, and who can live without the crashing waves and eerie music that complement the title sequence? With almost 1200 episodes to go (this set covers 1 - 35), I can see this will be a moderately expensive but infinitely pleasurable love affair. I just wish they'd get around to releasing House of Dark Shadows and Night of Dark Shadows on DVD.
11 of 11 found the following review helpful:
Halloween ForeverOct 09, 2009
By FYI
The dark half of the year isn't long enough for those who welcome autumn leaves, ghosts, and Halloween. I never saw "Dark Shadows" as a child; what an enormous bounty to have discovered it now. I lived in a haunted Victorian house; those with imagination will appreciate the Gothic delights of "Dark Shadows," where the mundane and ordinary mix with the extraordinary.
Collinsport is a fully realized little world. "The Beginning" is even better the second go around, knowing what lurks in the separate Barnabas portion of the saga. Maggie's soda-fountain, with its delightful menus (notice the grilled cheese sandwiches, the ubiquitous hamburgers, the authentic soft white bread, and the vintage low prices) is as normal as apple pie but not, an imminent darkness edges the diner's boundaries with gentle and creepy suspense.
It's fascinating to set aside the contemporary lens of "Buffy" (almost ruined by the revenge of the nerds), "Angel," and Anne Rice. "Dark Shadows" is the original gothic, with British sensibilities sepia-tinted with the coastal spooks of New England's Maine. The narrative is not always speedy, but it envelopes and captivates viewers in a languorous spirit-fog. Thank goodness for perpetually dark and stormy nights. A warning: after hours of viewing, you may go through withdrawal, and wonder where the creepy, never-ending music is. Don't worry, just hum off-key, draw the curtains, and find comfort in that this collection of DVDs is colossal. It need never be too sunny again.
In an ennui of smoke, ashes, and burning cigarettes, the citizens of Collinsport cope. The writing is remarkable, the outside-shots revolutionary for their time, and the black & white format is enhanced by the ornate sets. The opening lines of Victoria Winters cast their spell amongst crashing waves and hulking gothic hovels. Enjoy that soda-fountain: stock-up on clam chowder & crackers, and ingredients for sandwiches, or you might get really hungry. The narrative is remarkably timeless, though the couture and coifs are delightfully dated. The cast imbibes innumerable cups of cheap coffee with crime-plots. There is a "groovy" jukebox, real telephones aggressively ring, and vintage cars crash. Remember, this is to us as the Civil War was to those in 1910, which makes the accomplishment of "Dark Shadows" all the more notable.
Be patient, the later series collections delve in the darkness of Val Lewton's artistic sensibilities, your budding addiction will be rewarded. You might wonder where all the ghouls and horrors are. This early "Dark Shadows" differs very much from the Shadows After Barnabas, it's a timepiece with a slower tempo, each careful increment leads to the eventual Spook-Fest. The mundane and ordinary mix with the extraordinary. Unlike other reviewers, I didn't see this series as a child, or know that Barnabas Collins doesn't enter "Dark Shadows" until after the 6 boxes of the Beginning Collection. This pre-Barnabas "Beginning" carefully constructs family secrets with a solid foundation for the later vampiric carapace, yet has a timeless, classic quality of its own. By the end of the Beginning Series Box 2, another haunted house on the Collins estate is introduced, and a ghost emerges.
The narrative is remarkably timeless. The 1960s couture and coifs fascinate. The soda-fountain's ice-cream sundaes look suspiciously flat, though I could eat one of Maggie's grilled cheese and soup specials right now. The Blue Whale Bar boasts a groovy jukebox with a relentless bleat. Although he suffers an affliction of peculiar face makeup, Thayer David is wonderful as Matthew Morgan, a man draped in rage, while Mitchell Ryan is pitch-perfect. The child actor David Henesy displays amazing talent. I've become a huge fan of Joan Bennett. She just gets better, with her maternal warmth and dry humor. What expressive wringing of hands, what a regal coiffure. And what courage on her part to commit to such an eccentric project as "Dark Shadows." Clarice Blackburn, Nancy Barrett, and all the cast of the little horror repertory company are simply amazing. Their acting holds up today and even exceeds most standards; they are anything but afflicted with contemporary flat-affect shallowness.
A haunted house and a ghost emerge by the end of "The Beginning" Box 2. An inexorable spell is cast on viewers, you'll find yourself unable to stop watching, even as your eyes glaze over. You may find yourself unwilling to depart the peculiar environs of Collinsport, and be glad you stocked up on food and other supplies. Box 3 focuses on Victoria in peril, and things really begin to hum with "The Beginning" 4, 5, and 6, where the pace quickens. After the inexorable anger of Matthew, David's bizarre, obsessive mother from another dimension arrives. Is it any wonder Roger has issues? The mundane web woven in this collection creates a wonderful stage for the strange, as the supernatural becomes a larger focus. Interviews with Alexandra Moltke are wonderfully informative as to the pleasures and the pressures of the cast and crew, as are the rest of the marvelous cast, Nancy Barrett, Kathryn Leigh Scott, Mitchell Ryan, Conard Fowkes, etc. How I wish Joan Bennett could have interviewed. What a lady. Rather than jump into the series post-Barnabas, "The Beginning" carefully builds a foundation for the later twists. Beginning with the ordinary only adds to the timeless authenticity of the complete series. This early work is worth understanding as part of the overall, twisted tapestry of the immensely rewarding accomplishment of "Dark Shadows." Bon voyage...
7 of 7 found the following review helpful:
Explore the earliest days of a classic seriesApr 23, 2009
By Joseph P. Menta, Jr.
Having seen the 35 or so episodes that comprise "Dark Shadows- The Beginning, Volume One", I'm amazed that these initial episodes of the famous cult soap opera were bastardized and hidden for many years. Why? Because they're perfectly fine and entertaining installments of the series. In fact, here's what genuinely surprised me about these "Dark Shadows" kick-off episodes:
1) They're crisp and clean looking. Whatever the recording technology was at the time, it served these episodes well. They're all in crisp, clear, black & white, with nary an instance of murkiness or other technical difficuties. So, if you were afraid that these "really old episodes" would look bad on DVD, fear not.
2) The story is interesting and compelling from the outset. No, there's nothing supernatural going on (aside from a few vague suggestions that things beyond the natural sometimes occur in the great house at Collinwood), but there's a nice "Jane Eyre" vibe as young Victoria Winters assumes her position as governess at Collinwood and tries to figure out why she was offered the position in the first place. And young David, truly a disturbing, dangerous, brat here, is actually much more interesting than the calm, more well-adjusted David seen in the later, more familiar episodes. Hey, it's all about being entertained.
3) Production values are generally excellent. Acting and production flubs (a bit of a problem in later episodes) are minimal here, and there's actually fairly lavish production detail across the board. We get ample outdoor scenes, a variety of sets, and other value-added details. It was clear that the producers truly wanted to impress with these initial episodes.
Are there elements of the shows that are less than totally impressive? Sure. This was 1960's daytime television, after all. For example, the plotline involving the tampered brakes on Roger Collins' car goes on way too long, and is eye-rollingly predictable, but other, more interesting plotlines are addressed during those episodes, too, so boredom never becomes a huge factor. And production flubs, alas, weren't totally absent.
But overall, these initial episodes from the "first daytime suspense drama" (as the series is referred to in one of the promotional commercials included in the set's handful of special features) is solid entertainment, even forty-plus years later after its debut. Again, it's mystifying to me that these initial 200-some episodes have been shunted aside and packaged after the fact as a separate "Dark Shadows- The Beginning" series of DVD collections instead of being released at the outset when "Dark Shadows" hit DVD. But, no matter, at least they're available now.
Like the thirty-some DVD collections of the episodes featuring vampire Barnabas Collins and other supernatural elements, this set features a generous amount of special features, mainly comprised of interviews with cast members. I also enjoyed the opportunity to view the very first episode of "Dark Shadows" complete with the original commercials that accompanied it. Boy, were commercials dumb in those days.
Anyway, I'll conclude with my usual sign-off when I enjoy a particular collection of television shows on DVD: I liked this collection of episodes a lot, and am enthusiastically aboard for the next volume.
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